DayPoems: A Seven-Century Poetry Slam
93,142 lines of verse * www.daypoems.net
Timothy Bovee, editor


Departure

Coventry Patmore

1823-1896



IT was not like your great and gracious ways!
Do you, that have naught other to lament,
Never, my Love, repent
Of how, that July afternoon,
You went,
With sudden, unintelligible phrase,
And frighten'd eye,
Upon your journey of so many days
Without a single kiss, or a good-bye?
I knew, indeed, that you were parting soon;
And so we sate, within the low sun's rays,
You whispering to me, for your voice was weak,
Your harrowing praise.
Well, it was well
To hear you such things speak,
And I could tell
What made your eyes a growing gloom of love,
As a warm South-wind sombres a March grove.
And it was like your great and gracious ways
To turn your talk on daily things, my Dear,
Lifting the luminous, pathetic lash
To let the laughter flash,
Whilst I drew near,
Because you spoke so low that I could scarcely hear.
But all at once to leave me at the last,
More at the wonder than the loss aghast,
With huddled, unintelligible phrase,
And frighten'd eye,
And go your journey of all days
With not one kiss, or a good-bye,
And the only loveless look the look with which you pass'd:
'Twas all unlike your great and gracious ways.




Too Many Things to Remember About You

Jay LeBorgne

21st Century



Too Many Things to Remember About You

You never said I was dumb
Always said I was kinda smart
So much to remember, my head feels numb
I'm not really sure where I should start

I remember you differently
Yet, you're really the same
Even keeled, keeping consistency
You the man with Dad as your name

You taught me how to ride a bike
As well as hunt and fish
Sailed in a boat we launched from a dike
I believe you said I could be anything I wish

Too many things to remember, too many things to tell
You kept it all going strong, always on the run
Always the pillar in times of living hell
A wry humor for the lighter side when things were really not much fun

Grinch-like, chasing Santa and his reindeer
In the wee hours of the morn, faster than you can shake a stick
As you put away your 20-gauge, "I'll get you fat man, maybe next year"
"We could use the venison," you'd say with a grin. "Better be careful, Ol'
St Nick."

Too many things to remember, no time to ponder
All the lessons you had for me
At times your lack of knowledge made me wonder
As I got older, you got smarter, that was easy to see

On the phone often we talk
Whenever we can, minutes here and there
When we visit each other we go for walks
Sometimes with few words but know what each other would share

Retired, a word you say with such muse
No fairways, greens or bad lies in the ruff
Taking it easy - hah! that's just a ruse
For you its building a deck, tending the garden and other busy stuff

Getting a little slower as time goes by
"Nearly down to average," you always say
Don't worry, I'll always know how high you can fly
Thanks, Pops. I love you and oh yeah, Happy Father's Day




"Grandmither, think not I forget"

Willa Sibert Cather

1873-1947



Grandmither, think not I forget, when I come back to town,
An' wander the old ways again, an' tread them up and down.
I never smell the clover bloom, nor see the swallows pass,
Wi'out I mind how good ye were unto a little lass;
I never hear the winter rain a-pelting all night through
Wi'out I think and mind me of how cold it falls on you.
An' if I come not often to your bed beneath the thyme,
Mayhap 't is that I'd change wi' ye, and gie my bed for thine,
Would like to sleep in thine.

I never hear the summer winds among the roses blow
Wi'out I wonder why it was ye loved the lassie so.
Ye gave me cakes and lollipops and pretty toys a score --
I never thought I should come back and ask ye now for more.
Grandmither, gie me your still white hands that lie upon your breast,
For mine do beat the dark all night and never find me rest;
They grope among the shadows an' they beat the cold black air,
They go seekin' in the darkness, an' they never find him there,
They never find him there.

Grandmither, gie me your sightless eyes, that I may never see
His own a-burnin' full o' love that must not shine for me.
Grandmither, gie me your peaceful lips, white as the kirkyard snow,
For mine be tremblin' wi' the wish that he must never know.
Grandmither, gie me your clay-stopped ears, that I may never hear
My lad a-singin' in the night when I am sick wi' fear;
A-singin' when the moonlight over a' the land is white --
Ah, God! I'll up and go to him, a-singin' in the night,
A-callin' in the night.

Grandmither, gie me your clay-cold heart, that has forgot to ache,
For mine be fire wi'in my breast an' yet it cannot break.
Wi' every beat it's callin' for things that must not be, --
So can ye not let me creep in an' rest awhile by ye?
A little lass afeard o' dark slept by ye years agone --
An' she has found what night can hold 'twixt sunset an' the dawn:
So when I plant the rose an' rue above your grave for ye,
Ye'll know it's under rue an' rose that I would like to be,
That I would like to be.




Earliest Spring

William Dean Howells

Born 1837



TOSSING his mane of snows in wildest eddies and tangles,
Lion-like March cometh in, hoarse, with tempestuous breath,
Through all the moaning chimneys, and 'thwart all the hollows and
angles
Round the shuddering house, threating of winter and death.

But in my heart I feel the life of the wood and the meadow
Thrilling the pulses that own kindred with fibres that lift
Bud and blade to the sunward, within the inscrutable shadow,
Deep in the oak's chill core, under the gathering drift.

Nay, to earth's life in mine some prescience, or dream, or desire
(How shall I name it aright?) comes for a moment and goes--
Rapture of life ineffable, perfect--as if in the brier,
Leafless there by my door, trembled a sense of the rose.




Ellis Park

Helen Hoyt

1887-1972



Little park that I pass through,
I carry off a piece of you
Every morning hurrying down
To my work-day in the town;
Carry you for country there
To make the city ways more fair.
I take your trees,
And your breeze,
Your greenness,
Your cleanness,
Some of your shade, some of your sky,
Some of your calm as I go by;
Your flowers to trim
The pavements grim;
Your space for room in the jostled street
And grass for carpet to my feet.
Your fountains take and sweet bird calls
To sing me from my office walls.
All that I can see
I carry off with me.
But you never miss my theft,
So much treasure you have left.
As I find you, fresh at morning,
So I find you, home returning --
Nothing lacking from your grace.
All your riches wait in place
For me to borrow
On the morrow.

Do you hear this praise of you,
Little park that I pass through?




How can the Heart forget her?, Davison's Poetical Rhapsody

F. or W. Davison

17th Century



AT her fair hands how have I grace entreated
With prayers oft repeated!
Yet still my love is thwarted:
Heart, let her go, for she'll not be converted--
Say, shall she go?
O no, no, no, no, no!
She is most fair, though she be marble-hearted.

How often have my sighs declared my anguish,
Wherein I daily languish!
Yet still she doth procure it:
Heart, let her go, for I can not endure it--
Say, shall she go?
O no, no, no, no, no!
She gave the wound, and she alone must cure it.

But shall I still a true affection owe her,
Which prayers, sighs, tears do show her,
And shall she still disdain me?
Heart, let her go, if they no grace can gain me--
Say, shall she go?
O no, no, no, no, no!
She made me hers, and hers she will retain me.

But if the love that hath and still doth burn me
No love at length return me,
Out of my thoughts I'll set her:
Heart, let her go, O heart I pray thee, let her!
Say, shall she go?
O no, no, no, no, no!
Fix'd in the heart, how can the heart forget her?




Fairy Song

Winthrop Mackworth Praed

1802-1839



HE has conn'd the lesson now;
He has read the book of pain:
There are furrows on his brow;
I must make it smooth again.

Lo! I knock the spurs away;
Lo! I loosen belt and brand;
Hark! I hear the courser neigh
For his stall in Fairy-land.

Bring the cap, and bring the vest;
Buckle on his sandal shoon;
Fetch his memory from the chest
In the treasury of the moon.

I have taught him to be wise
For a little maiden's sake;--
Lo! he opens his glad eyes,
Softly, slowly: Minstrel, wake!




A Lynmouth Widow

Amelia Josephine Burr

Born 1878



He was straight and strong, and his eyes were blue
As the summer meeting of sky and sea,
And the ruddy cliffs had a colder hue
Than flushed his cheek when he married me.

We passed the porch where the swallows breed,
We left the little brown church behind,
And I leaned on his arm, though I had no need,
Only to feel him so strong and kind.

One thing I never can quite forget;
It grips my throat when I try to pray --
The keen salt smell of a drying net
That hung on the churchyard wall that day.

He would have taken a long, long grave --
A long, long grave, for he stood so tall . . .
Oh, God, the crash of a breaking wave,
And the smell of the nets on the churchyard wall!




The Faithless Shepherdess

William Byrd

16th Century



WHILE that the sun with his beams hot
Scorched the fruits in vale and mountain,
Philon the shepherd, late forgot,
Sitting beside a crystal fountain
In shadow of a green oak tree,
Upon his pipe this song play'd he:
Adieu, Love, adieu, Love, untrue Love!
Untrue Love, untrue Love, adieu, Love!
Your mind is light, soon lost for new love.

So long as I was in your sight
I was your heart, your soul, your treasure;
And evermore you sobb'd and sigh'd
Burning in flames beyond all measure:
--Three days endured your love to me,
And it was lost in other three!
Adieu, Love, adieu, Love, untrue Love!
Untrue Love, untrue Love, adieu, Love!
Your mind is light, soon lost for new love.

Another shepherd you did see,
To whom your heart was soon enchained;
Full soon your love was leapt from me,
Full soon my place he had obtained.
Soon came a third your love to win,
And we were out and he was in.
Adieu, Love, adieu, Love, untrue Love!
Untrue Love, untrue Love, adieu, Love!
Your mind is light, soon lost for new love.

Sure you have made me passing glad
That you your mind so soon removed,
Before that I the leisure had
To choose you for my best beloved:
By those white cliffs I never more must see,
By that dear language which I spake like thee,
Forget all feuds, and shed one English tear
O'er English dust. A broken heart lies here.




The Dead Master

John McCrae

1872-1918



Amid earth's vagrant noises, he caught the note sublime:
To-day around him surges from the silences of Time
A flood of nobler music, like a river deep and broad,
Fit song for heroes gathered in the banquet-hall of God.




Snow

Sandy Kay Turmail

21st Century



Snow
Crystal water falls
mesmerizing the eyes
enveloping the mind

Soon it's all around
no sounds can be heard
A train in the distant air
breaks the ice

The flow begins and again
the pour is bountiful and unmerciful
and fills the ground with purified white
untouched by the hands of human kind

A buried soul could rest forever
relishing in the warmth of snow covered eyelashes
the heart could beat forever in dreams

The sun the enemy and yet an old friend
drinks in the beauty and the fear
and fades into the night

Copyright 2002 by Sandy Kay Turmail. All rights reserved.




ile:
Of these your letters told; and I who read
Saw loom on dim horizons Egypt's dead
In march across the desert, mile on mile,
A ghostly caravan in slow defile
Between the sand and stars; and at their head
From unmapped darkness into darkness fled
The gods that Egypt feared a little while.

There black against the night I saw them loom
With captive kings and armies in array
Remembered only by their sculptured doom,
And thought: What Egypt was are we to-day.
Then rose obscure against the rearward gloom
The march of Empires yet to pass away.

II

I looked in vision down the centuries
And saw how Athens stood a sunlit while
A sovereign city free from greed and guile,
The half-embodied dream of Pericles.
Then saw I one of smooth words, swift to please,
At laggard virtue mock with shrug and smile;
With Cleon's creed rang court and peristyle,
Then sank the sun in far Sicilian seas.

From brows ignoble fell the violet crown.
Again the warning sounds; the hosts engage:
In Cleon's face we fling our battle gage,
We win as foes of Cleon loud renown;
But while we think to build the coming age
The laurel on our brows is turning brown.

III

We top the poisonous blooms that choke the state,
At flower and fruit our flashing strokes are made,
The whetted scythe on stalk and stem is laid,
But deeper must we strike to extirpate
The rooted evil that within our gate
Will sprout again and flourish, branch and blade;
For only from within can ill be stayed
While Adam's seed is unregenerate.

With zeal redoubled let our strength be strained
To cut the rooted causes where they hold,
Nor spend our sinews on the fungus mold
When all the breeding marshes must be drained.
Be this our aim; and let our youth be trained
To honor virtue more than place and gold.

IV

A hundred cities sapped by slow decay,
A hundred codes and systems proven vain
Lie hearsed in sand upon the heaving plain,
Memorial ruins mounded, still and gray;
And we who plod the barren waste to-day
Another code evolving, think to gain
Surcease of man's inheritance of pain
And mold a state immune from evil's sway.

Not laws; but virtue in the soul we need,
The old Socratic justice in the heart,
The golden rule become the people's creed
When years of training have performed their part
For thus alone in home and church and mart
Can evil perish and the race be freed.




The Angel of Death sleeps beside me